security blanket

quilts are made from stitching together quilting squares. the word quilt comes from the latin word, cultica or "mattress", and was first recorded as a word in the 1550's. 

a quilting square is typically constructed of nine squares, although variations exist throughout history. nine is a scared number. it represents eternal heaven, a search for truth, wisdom, the hermit (in tarot cards), enemies in ancient Egyptian hieroglyphics (the nine bows), and the nine muses in Greek and Roman Mythology. the riddle series relies on a nine square format, and plays within the historical meaning of this geometry. these paintings explore notions of comfort and the symbols we cling to as we dress ourselves in it: fabric, mountains, houses, trees, birds, insects, material objects, decoration, water, fruits, and talismans. 

domestic comfort as we know it in western society is a social construct. it is foremost a concept about dwelling. we designed it in the 16th century, although it is typically discussed with homage to Virtuvius and his "lost" treatise on architecture from the 1st Century BC. often we think of "dwelling comfortably" as a natural desire, and an exhibit of success. this "good life" has a pretty view, soft objects, blankets, soft chairs, and protection. but as humans, we really only started to "get comfortable" when secular architecture started borrowing from the sacred. 

Palladio created the first comfortable country house, or Villa, in 1537. based upon geometrical squares divided into groups of 9 (in plan and elevation), the underlying structure set forth a secular vision of living that would influence the very basis of the modern private home. eventually, the Palladian influence would go on to define the ideals of comfort we adopted from the British and Dutch, in the form of a house with a garden (british), and tactile, personalized rooms for sitting, sleeping, and eating (dutch). the act of dwelling became a desired place of status for all: heaven on earth.

to dwell well is to believe security has been achieved. comfort is a symbol that we market, sell and certainly protect. but modern comfort is also a riddle. the word comfort comes from late latin confortare, or "to strengthen". it suggests not just a sense of ease, but a need for fortification, and relief from affliction, invasion, both physically and mentally. it can come to us in the form of a person, place, or thing. the objectified thing-ness of comfort has endless forms: a chair, a car, an enclosure, a pleasure, an acquisition, a retaliatory remark, an aggressive action, a warm cup, an embrace, a blanket. often comfort is taken for granted, and at times i am certainly guilty of this, but i remember that comfort comes and goes. it's not stable. 

security blanket, 2015

acrylic paint, graphite, conte crayon, colored pencil on assembled acid free paper.
from the series, riddles.
25" x 25" framed.

comfort dissolves, even when we have enough of it.

once, eleven years ago, we were at a porch party at a home in our neighborhood. in my arms i held my infant son. a woman from across the room approached me quickly, without smiling, and said, "you know he's really pretty for a boy." then she walked away and never spoke to me again. her delivery was disparaging and puzzling. i felt bullied. our friend, who is Italian, immediately sent us an evil eye or "the malocchio" talisman to place in our son's room. 

within the ideal of comfort is superstition, and that fascinates me. the evil eye is a curse usually cast when the receiver is unaware. once given, it is believed that it will cloud the receiver's days with bad fortune. found in the old testament, and many cultures across time, it is the eye of the envious. it goes like this: the looker "gives the eye" via a comment or stated hex. to counter this, a physical evil eye is given to the receiver to wear or place around their territory. an eye for an eye. they sometimes looks like this:

evil eye talismans in a tree protecting the Pigeon Valley, Cappadoccia, Turkey

we oscillate between comfort and discomfort daily. our need for constant comforting alters our behavior. sometimes we reach for objects to soothe us; sometimes we lash out at others to regain territory. perhaps our need for constant comfort via symbols of worth and status is a way of starting over: a building to dress our nakedness, a first leaf to camouflage or identify us, a blanket, a tent, a wish. sometimes comfort is action. we choose kindness, and other times we choose competition and power, a perverse kind of soothing: 

giovanni di paolo di grazie

the creation and expulsion from the paradise, 1445

tempera and gold on wood,  18.25" x 20.5"

the metropolitan museum of art

(i cannot count how many lifetimes i have stood in front of this painting.)

security blanket is the center of this series. it is the protective evil eye. from this piece, the entire series grew. in the next few months i am adding new works to this series, while playing with symbols, material and certainly multiples of 9. 

detail:

eyes, leaves, sea, hearts, cherries, eggs, pearls

detail:

snake, monkey, bee, teddy bear, grass, stones for throwing.

detail:

dragonflies (ancient symbol of free will), stitches, keyhole, gold, and smoke.

detail:

security blanket in progress.

each work takes about a month or 2.